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Wednesday, March 28, 2007

This Is an 'Open Window to Freedom.' Supposedly
This past weekend I made my triumphant return to the New York City's Museum of Modern Art, the "leading museum of modern art in the world" (according to Wikipedia's MoMA entry), and a great place to sample new drugs. The reason? Paintings like 'ol Blue Monochrome over here.

It's not only the works themselves that leave visitors wondering "What the fuck?" The accompanying info cards are head-scratchers, too. Here's what we're told about Blue Monochrome, completed by Yves Klein in 1961 (presumably about five minutes after he started):

Monochrome abstraction — the use of one color over an entire canvas — has been a strategy adopted by many painters wishing to challenge our expectations of what an image can and should represent. Klein likened monochrome painting to an "open window to freedom." He worked with a chemist to develop his own particular brand of blue. Made from pure color pigment and a binding medium, he called it "International Klein Blue." Klein adopted this hue as a means of evoking the immateriality and boundlessness that reflected his own peculiar utopian vision of the world.

So, just to be clear, use off one color over an entire canvas is a way to "challenge our expectations of what an image can and should represent." And here I thought it just just being lazy. What a peasant I am.

Other Ridiculous MoMA Works:

Barnett Newman's Onement I — An "artistic breakthrough" or a straight line? You decide!

Jeff Koons' Three Ball 50/50 Tank (Two Dr. J. Silver Series, One Wilson Supershot) — Three basketballs in a fish tank. I shit you not. (Click on the audio to hear how the balls being inflated is a symbol of life. So, too, must be a blow-up doll.)

Lucio Fontana's Spatial Concept: Expectations — A mocha-colored canvas with a slash through it. Or, as I like to call it, The Bi-Racial Vagina.

Today's Web Finds:

Still OK to Whack it to Anna Nicole? — Dan Savage of the Village Voice says no, believing that "whacking off to the dead violates the hope that masturbation represents." Which is why I stopped beating off to Rosa Parks in 2005.

YouTube: Collection of Michael Scott 'That's What She Said' Moments — Wow, this clip is really long.

News: Fertility Clinic Used Wrong Sperm, Suit Claims — For the first time ever, white parents are gonna have to figure out when to tell a black child that he's not adopted.

Village Voice: Kiko Was Here — The paper subtitles the piece "A would-be Basquiat goes to prison in a misguided graffiti crackdown." I call it "The story of a another inner-city scumbag whose defiance against cooperative society led him to mar public and private property and landed him in the slammer."

Central Park Is Worth $528 Billion — Or so says the Trivia section of this Wikipedia entry.

Kansas State Is Getting 2 of the Top 3 Hoops Recruits Next Season? — And neither of them are from the state. Which makes this either Bob Huggins' biggest recruiting coup, or the reason he school will be on probation in five years. Maybe both.

The Ballad of Big MikeThe New York Times' lengthy excerpts from Michael Lewis' "The Blind Side: Evolution of a Game," which is part "Moneyball," part Hoop Dreams, part Diff'rent Strokes and part Trading Places.

How to Deal With an Asshole Commenter — Check out how the author of this Cracked article shoots back at an unsatisfied reader in the comments section.

All Time Favorite Poker TV Moments — Lots of great discussion and links to YouTube clips.

Category: Web Finds | Permalink | Post a Comment (1)


Comments: This Is an 'Open Window to Freedom.' Supposedly

I actually saw this painting in the Tate Modern when I was in London in 2005. I agree that about 90% of modern art is either completely weird or useless or just plain ugly, but Blue Monochrome is actually pretty cool. The blue that Klein invented is stunning. The digital version on the website doesnt do it justice. I definitely remember walking up the steps to the third story galleries at the Tate and seeing that painting and being pretty blown away by it. It was fun to actually see some real color after being surrounded by a grey London sky and gallery after gallery of humorless, stupid, and incomprehensible "art." My reaction was pretty close to a feeling of liberation and exhileration. If that's what Klein wanted his viewers to experience when he made this, then mission accomplished in my case.

Posted by Bashman2005 at April 24, 2007 2:38 PM
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